NEW GIRL spec - first five pages

NEW GIRL is the number one new show for 18-34 year olds, and I absolutely adore it. The series has great heart, unconditionally loves its socially retarded characters, and has the lofty goal of gently teaching tolerance lessons as it demonstrates partnership between men and women. I'm thrilled to hear it has won the hearts of many teen girls who have adopted the Jess lead character as a role model.

I've watched all 21 episodes at least three times, and studied the crap out of Zooey, show creator Liz Merriwether, and their Paley panel. I think this spec is the funniest thing I've ever written.  So far I've received great feedback from working screenwriters I trust. I made the three storylines topics I really care about: woman on woman violence, the vintage fur debate, and the hilarious narcissism of fashion/lifestyle bloggers. As per my writing signature, this spec is funny, emotionally raw, informative, and has something to say.

I'm adding this NEW GIRL spec to my portfolio: feature action/thriller PISTOLERAS (Winner of Creative Screenwriting Magazine's Best Thriller Award); my filmmaking resume (Associate Producer of Indie Spirit Winner CONVENTIONEERS, writer/director/producer of THE COMMUNE, first ultra-low budget female filmmaker invited to The Masters of Horror dinners); and a new comedy pilot script based on my feature THE COMMUNE that will be ready to read by the end of May 2012. Fingers crossed this portfolio will do the trick for getting an agent and going out for staffing season. If you want to help, providing a referral to your agent/manager would save me mucho stress! 

You can see this version of the script performed live Sunday night at 8:30pm at the famous iO West in Hollywood. Here is the preview of my current first five pages which will be revised Monday after the reading. What do you think?


NEW GIRL
EP #21.5: "Female"
Written by Elisabeth Fies

ACT ONE

INT. LOFT. DAY.

NICK’S LATEST ONE NIGHT STAND sneaks out the door, running into WINSTON waving the morning mail.

WINSTON
I got my test results!

The girl grimaces and cuts him a wide birth.

WINSTON (CONT’D)
Not that kind of test--

REVEAL NICK AND JESS on the couch, eating cereal.

NICK
Cool. Now I don’t have to call her.

Winston stares at his test results envelope, frozen.

JESS
Standardized tests can’t measure the real you. It’s not about what’s here...
(pointing to her brain)
...but what’s in here.
Jess grabs her heart. SCHMIDT runs in like a human labrador.

SCHMIDT
(pointing to his crotch)
--Or what’s in here! Boom!

JESS
Besides, we really needs substitute teachers.

WINSTON
That’s what’s so horrible. If I’m not better than those people--

INT. GARFIELD ELEMENTARY. CLASSROOM. FLASHBACK.
Winston finishes and triumphantly slams his pencil down.

WINSTON
First!

REVEAL his competition: like Mos Eisley Cantina rejects. Winston reinforces his pencil marks on the Scantron form.

BACK TO PRESENT:

WINSTON (CONT’D)
That room smelled like fear. Sweat. And Maker’s Mark.

JESS
Fancy. In Oregon subs can only afford Pabst Blue Ribbon.
Winston tears open the envelope.

JESS (CONT’D)
Oh my god. Winston, you scored 99%!
Winston “Cruises” on the couch, the afghan flying. Nick mimics him with a surprisingly sexy lack of skill.

SCHMIDT
(joining in)
And 5, 6, 7, 8!
--And they start the routine from the New Girl music video.

SMASH TO MAIN TITLES.

INT. LOFT. CONTINUOUS.

CECE walks into the kitchen carrying a ritzy coat bag.

CECE
What’s going on?

JESS
Winston passed the C-Best.
(in Cagney voice)
Say, what do we have here, see?

Cece pulls out a vintage floor length mink coat.

JESS (CONT’D)
Yowza.

CECE
(touching the stitching)

It was Nanna’s. Her name’s sewn in.

JESS
I wonder how many animals died to make this fur coat.

CECE
I wonder how many animals she had to sleep with to get this fur coat.
(then)
I want to wear it.

JESS
(judgy)
Cece. You should hide it in your closet- Or get rid of it- before someone throws paint on you.

CECE
That’s crazy. Nobody throws paint in this century. Glitter bombs maybe, and I look fabulous in glitter.
(then)
Besides, the animal died fifty years ago. I don’t understand how hiding it in my closet or dumping it in the landfill honors its memory more than me proudly wearing it.
(petting the fur)
I remember being a little girl and hugging Nanna in it. Wearing it makes me feel close to her still.

JESS
Awww... put it on.
Cece dips her arms in. Nuzzles her nose and inhales.

CECE
Nanna.

JESS
You should do what makes you happy.

CECE
You’ll still be seen with me?

JESS
Always!

CECE
Cool. Be my Plus One for this red carpet charity event I’m working.

JESS
Proudly.
(then)
Can I wear my flannel?

Schmidt lopes up and throws a casual arm around Cece.

SCHMIDT
Sweet coat. Red mink, N’est ce pas?

CECE
You’re such a chick.

SCHMIDT
Give me a snap of it for “Cardi’s and Chutney”.

CECE
No, Schmidt. I told you I’m not going to be on your lifestyle blog.

SCHMIDT
Emily, Kimberley, and all the fashion blogging gang will love it! Having a real model will skyrocket my hits. I won’t tell anyone you’re my Pillow Pal- My Toe Tickler- My Indian Samosa of Sexy Time-

CECE
Jess, The limo will be here at 7.

Cece leaves. Schmidt thrusts a camera into Jess’ hands.

SCHMIDT
Snap today’s outfit. My new Espadrilles are right on trend.

Jess takes a few photos as Schmidt poses.

SCHMIDT (CONT’D)
Now a close up of the Espadrilles.

JESS
I have a thing about men’s feet...

SCHMIDT
Come on, Jess! Snap my ‘drilles!

JESS
(clicking without looking)
All set.

Winston shakes his head disapprovingly at Schmidt.

SCHMIDT
My blog is douche-jar exempt. It’s the anti-douche.

WINSTON
(gives Schmidt a “whatever look. Then:)
Jess, I’m not the type to wait for the school to call me in. I want to introduce myself to Tanya now.

JESS
Ohhh I think she remembers you.

INT. SCHMIDT’S PARTY BUS. NIGHT. FLASHBACK.

TANYA LAMONTAGNE, Jess party-hungry Vice Principal, slaps Winston’s ass and shoves dollar bills down his jeans.

WINSTON
Lady, the stripper is over there!

Points to MARTIN FULLER, the straight middle-aged man sadly dancing for other dudes. Tanya slaps Winston ass again.

TANYA
Nah. Shake it, black thunder!

BACK TO LOFT:
Winston grabs his briefcase. Clips on a tie.

WINSTON
That’s why I’m reintroducing myself as Business Winston.

JESS
I’m leaving if you want a ride.
(hands Schmidt his camera back as if it’s infected)
Uggh.

Winston and Jess leave. Schmidt reviews Jess' photos.

SCHMIDT
Amateur. Light is all wrong. You can’t see the texture of my V-neck.

NICK
Nobody cares what you’re wearing.

Schmidt flips open the laptop on the coffee table to pull up his blog.

SCHMIDT
Wrong! Cotton is the fabric of our lives.

Interview with Suzanne Lyons

Here I am with my mentor Suzanne Lyons discussing some details about financing indie films using THE COMMUNE as an example.  :)

New review of The Commune from Horrorphilia

We'll be doing a podcast with them soon, too!

Review link.

Our last LA screening of THE COMMUNE!

*****We've NEVER DONE THIS!!!!

Buy a ticket to our last LA screening and get a FREEEEE autographed DVD of THE COMMUNE!

They're signed by me and wrapped in plastic...one less holiday gift for you to buy!

The Valley Film Festival
THIS FRIDAY, November 12th
7:30 pm

The Commune- Promo for The Valley Film Festival from The Commune Movie on Vimeo.

Our screenings this Fall/Winter

UPCOMING SCREENINGS OF "THE COMMUNE"

Bram Stoker Film Festival (Whitby, England)
October 14th-17th http://www.bramstokerfilmfestival.com/

Dark Imaginings (San Diego, CA)
November 6th http://www.facebook.com/event.php?eid=152092514816271&ref=mf

Valley Film Festival (Sherman Oaks, CA)
November 12th http://www.valleyfilmfest.com

SCREENINGS OF "DISTRAUGHT" and "CONSUMED"

Dark Imaginings (San Diego, CA)
November 6th http://www.facebook.com/event.php?eid=152092514816271&ref=mf

24 Hour Horror Festival (Rochester, NY)
October 30th https://www.thelittle.org/filmfest.php

All Things Horror (Boston, MA)
December TBA

SCREENINGS OF "SCREAM QUEEN"
Carnival of Darkness (Los Angeles)
October 28th http://carnivalofdarkness.net/

24 Hour Horror Festival (Rochester, NY)
October 30th https://www.thelittle.org/filmfest.php

Texas Blood Bath Film Festival (Dallas, Texas)
November 13th, 14th http://www.texasbloodbath.com/

All Things Horror (Boston, MA)
December TBA

My IMDb: http://www.imdb.com/name/nm2383130/

Our friend is in the news!

Blake is one of the people behind the Atlanta Horror Fest, and a big supporter of THE COMMUNE. Yea, Blake! Congrats on the cool profile article!


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The Commune screening THIS SATURDAY, October 17th!

Really hope you can make it! Our last LA screening:

La Femme Film Festival

4 pm
Renberg Theatre
LA Gay & Lesbian Center
1125 N McCadden Place
Los Angeles 90038


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Atlanta Press Release

Actress Adrian Lee returns to her hometown for Atlanta Horror Fest's feature screening of THE COMMUNE, a psychological thriller ripped from the headlines about a 16-year-old trapped on her estranged dad's commune for the summer. The Huffington Post says THE COMMUNE is "highly recommended".

Filmmaker Lis Fies and actress Adrian Lee will be in person at the 11 pm screening Friday October 2nd, the anniversary of Executive Producer Barbara Fies's death. It is also Adrian Lee's birthday. Lee is thrilled to see her movie play in the Plaza Theatre, the same moviehouse she watched movies in as a child.

update!

I'm all crewed up for Thursday's shoot with Steve De Jarnatt (too freaking cool, I'm producing something by my hero!). But I'll have more opportunities coming up in October.

The Commune is playing Beverly Hills mid October at La Femme Film Festival, and October 2nd at 11pm at the Atlanta Horror Fest. Yea!!!!! Hope you can go see it!

Speaking of Atlanta, want to donate air miles so I can go to the Atlanta Horror Festival for THE COMMUNE screening10/2? You get a Thank You in the final credits!

Awwww...ANOTHER awesome interview about THE COMMUNE!

Thanks for the kind words, Brian!

ROGUE CINEMA Interviews:
An Interview with Elisabeth Fies - By Brian Morton
Posted on Saturday, August 01, 2009 @ 00:50:23

"For a long time, when you mentioned the term ‘indie movie’ people had one thought in their mind, a young guy, with a camcorder, in the backyard, making some kind of dumb-ass zombie movie. Well, those days are gone! Now-a-days, indie filmmakers are enlightened, thoughtful filmmakers, attempting to make not just scary or gory movies, but giving us little pieces of art that main-stream Hollywood can’t (or won’t) touch. One of the filmmakers out there doing her best is Elisabeth Fies, who gave us The Commune (that I reviewed last month, check out my review of The Commune here). Elisabeth is the kind of filmmaker who thinks before she acts and isn’t afraid to take her time to get it right…as you can see in The Commune. So, I couldn’t help but want to catch up with her and find out a bit more about this up and coming filmmaker."
...continue


To catch you up from Brian Morton's review last month:

"The Commune is an interesting indictment of religion and how easily something that seems benign, even gentle, can turn evil and malevolent! The story is great, the acting is strong and Fies has put together an amazing movie."

Brenda and I were there...

and it was an amazing night of talent with The Commune's composer Danny B. Harvey and a half dozen of his handpicked guests. Shout out to Jenna Ross, (nee Jenna Cide), vocalist on many of Danny's tracks for The Commune. Amazing!

David Lago on Young and the Restless

He's got his May sweeps appearance up here. That boy can kiss!

My interview with Brian Kirst of the Horror Society

This interview was so much fun! Thanks, Brian!!

The Commune - Rogue Cinema review!

Thanks to Brian Morton for his Awesome review!

Another radio interview for THE COMMUNE

I was interviewed on blogradio! Episode 6/15/09 "The Hair & Horror Show" by Worst Show On The Web.

I'm on from 79:00 to the end of the episode and twenty minutes on into the greenroom!
We discuss "The Commune", but spend most of the time on Chauntal Lewis and her Believe and Become foundation.

Thanks to the gracious and talented hosts, Angeleno Kurtis Bedford and Santa Rosan Harry Duke! It was a pleasure, guys! Chauntal Lewis and I appreciate your generousity!

me me me, blah blah blah

So the one thing that's been missing forever now from our press kit and website is my Director's Statement. Which is a bad thing not to have, because reporters want to hear from the director. They want to know the director cared, and wasn't just for hire.

But I haven't been able to bring myself to do it. Partly because it felt waaaay egotastic, and partly because it would literally be easier for me to write you a 70 page thesis on THE COMMUNE.

I'm not kidding. You've noticed how verbose I am, oui? Well...I have notebooks full of what and why and how things were done on THE COMMUNE. It's all purposeful, so how am I supposed to distill that down to one PR page and tell you I'm awesome so write about my movie?

Well apparently that's what sisters are for. Brenda woke up at 6 am yesterday and tossed this genius out like a true Fies. I filled in some details, but the majority is all her expert listening of me.


ABOUT ELISABETH FIES

Already an associate producer on Indie Spirit-awarded CONVENTIONEERS, tyro writer/director Elisabeth Fies has finally arrived with her acclaimed psychological thriller THE COMMUNE. Nobody loves watching movies more than Elisabeth. But, her years of education have trained her to see things others may not. From her undergraduate days examining pornography with Supreme Court expert witness Professor Neil Malamuth at UCLA, to her Graduate work at New School University in New York where she mastered in Media Studies, Elisabeth refined her intention of making responsible media with a message.

Returning to UCLA to complete her post Graduate Screenwriting Certificate provided the last piece of the puzzle for Elisabeth Fies to really understand the key elements required to make a good movie, which she feels are: structure, tone and purpose. “When any of these are faulty, it’s easy to lose your audience. I made it my mission to control the tone in THE COMMUNE.”

To date, Elisabeth has seen over five thousand movies and is ranked as #6 movie reviewer for NetFlix. While many movies have made an impact on her, her favorite movie remains a tie from twenty years ago. Elisabeth adores TERMINATOR 2 for its expert use of blockbuster storytelling to imbue a message of peace and feminism. But after viewing the emotionally raw SEX, LIES AND VIDEOTAPE, she was inspired as she knew filmmaking would be the vehicle she would use to share her viewpoint with others. Elisabeth claims the three movies that directly influenced the making of THE COMMUNE were THE WICKER MAN, CHINATOWN, and DON'T LOOK NOW. After watching THE WICKER MAN, Elisabeth knew it was time to return to the 1970s thriller/horror masters to make a movie that subverted audiences' subconscious knowledge of genre mores, and like DON'T LOOK NOW make them care deeply about the characters whose pain they are watching.

Going home to the familiar surroundings of Sonoma County to film her feature was a comfort, and provided amazing locations never seen before on the big screen. Elisabeth is quick to point out that while Isis Oasis Sanctuary was a place she visited on more than one occasion while growing up, it is polar opposite to the type of commune depicted in her movie. It’s more of a wildlife sanctuary and the owner, Loreon Vigne, has been there since Fies’s childhood visits. They very graciously accommodated the cast and crew for 12 of their 18-day shoot schedule.

There were times in her Bohemian childhood that Fies remembers feeling like she was “the only grown up in the room” and recalls when she was encouraged to wrap a growling Ocelot around her neck, which she thought better of and didn’t understand what part of “angry cat” the adults outside the wild animal's cage did not see. It is that uneasiness that she used as a cornerstone throughout THE COMMUNE. “I find narcissism and lack of boundaries very dangerous and frightening.”

Contrary to making a statement about organized religion, Elisabeth guides her audience to consider the inherent dangers of blindly following cult leaders by depicting how truly disposable individual members may become. In addition, Fies tackles the topic of genetic cloning and megalomaniac's desire for eternal life through offspring. These are relevant, sensational topics both nationally (the Texas cult “Yearning for Zion Ranch”) as well as internationally (the “House of Horror” in Austria). At the world premiere Q & A for THE COMMUNE, Elisabeth remarked to a cheering crowd “I'm not against organized religion, I'm against hypocrisy. If you say you're about love and crystals, be about love and crystals. Don't hoard all the money and eff little girls.”

THE COMMUNE utilizes the archetypal trinity Virgin, Mother, Crone in the three female leads. It has a heavy undertone of mythology to showcase its message, from the naming of characters to the background images in each scene. Elisabeth’s goal is to expose taboo topics that have existed for thousands of years, crossing over cultural lines, coming at the expense of women and ultimately civilized societies. She also depicts the three different reactions women have to incest, as well as giving all three generations of women a sex and dance scene to express their varying sexuality.

In prepping to lead a male crew, Elisabeth incorporated several command styles, including THE FIVE LOVE LANGUAGES, and brilliant military strategist Colonel Van Riper's IN COMMAND AND OUT OF CONTROL. She also received advice from boundary-breaking studio film director and master of horror Katt Shea. Many of the crew had never before worked for a “lady director”, and are anxious to be on Elisabeth's next film. "This time I got naked in front of the crew when I couldn't find an actress who would do nudity. Next time I'm buying us all platoon tattoos."

Upcoming projects include executive producing the horror anthology I HATE LA (going into production in July 2009) and raising the money for PISTOLERAS, her multiple-award-winning and beloved blockbuster screenplay about a clique of outsider teenage girls who are sold into a Mexican sex slavery ring and fight back to free all the children.

Flip

Check out my friend's funny, multiple-award-winning 48 hour short film! Matt Orchowski was the key grip on THE COMMUNE, as well as playing two characters in the film. He's a great guy. And here you get to see his amazing work as his REAL day job: a talented DP!

Hit "full screen" to really see it:


Matt drove all the way out from Vegas to be at our world premiere! How cool is THAT? Can't wait to work again with someone so talented, tenacious, fun, egoless, AND supportive and loyal...he's got everything you need to "make it".

Someone videotaped my Q & A!!!

Here I am at 2 am in the Sunset Laemmle 5!

The Huffington Post reviews The Commune

Are you kidding me???? What an honor.

The freaking Huffington Post article.

Front page of the Entertainment section! Has been for days!!!

Gogosha Face of the Day

Look at what amazingly rad awesome talented adorable hiptress fashionmaker Julia Gogosha did for me on my premiere day.

Do I have the coolest friends, or what? I am SOOOO lucky!