Showing posts with label glamorous life. Show all posts
Showing posts with label glamorous life. Show all posts

Tuesday, November 09, 2010

Our last LA screening of THE COMMUNE!

*****We've NEVER DONE THIS!!!!

Buy a ticket to our last LA screening and get a FREEEEE autographed DVD of THE COMMUNE!

They're signed by me and wrapped in plastic...one less holiday gift for you to buy!

The Valley Film Festival
THIS FRIDAY, November 12th
7:30 pm

The Commune- Promo for The Valley Film Festival from The Commune Movie on Vimeo.


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Friday, November 20, 2009

Help my friend!

Rent my good friend and (Emmy Winner!) Barbara Stepansky's feature debut HURT...available everywhere and a new release last week!

And check out this amazing blog entry to get a glimpse into the mind of a film director as works on her second movie.


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Friday, November 06, 2009

How do I get someone to read/buy my script/logline/great idea?

I'm often contacted by people outside of LA in other fields who have read some of those pipedream screenwriting books (written by out of work screenwriters) and are now confused as to WHY they can't get anyone in Hollywood to read or buy their script, logline, great idea that only needs to be fleshed out into a screenplay.

This is, of course, the equivalent of me walking into a surgeon's office and asking to scrub in on their next surgery: frustrating, insulting, and people get angry when you take the scalpel out their hand and tell them they haven't done any of the schooling and work they need to be qualified.

I hope the following honest answer helps explain the REALITY of the film industry today so that y'all stop emailing me and my friends. Because dealing with this BS has gotten beyond old.


Dear "New Screenwriter" Working in Another Field Not Even Living in LA,

If you read the trade magazines like Variety and Hollywood Reporter you'll see that A-list screenwriters are not able to sell a script in this economy.

(And if you aren't reading those trades daily you've already failed the first daily chore you need to do to call yourself a "screenwriter".)

Studios are closing, they are all making less pictures, and the people who used to be able to make money in this town are packing up and leaving. It's turned into a game of Survivor out here the last two years since the Writer's Strike and the recession.

Nothing is better in LA than it is in the rest of the country. And it's certainly WORSE than whatever chosen career you are currently practicing, but trying to escape through writing.

I can't name one person I know who knows someone who has sold ANYTHING in over two years. We are not getting read or getting meetings either, and our agents and managers are dropping us.

These are friends, classmates and former co-workers of mine with Academy awards and Emmys, a rolodex of contacts, several film school degrees. We have all joined the union, paid off 50-100k of film school student loans, and put in our fifteen to twenty years of Hollywood shit work "paying our dues". We've all also actually committed to living in expensive and soul-sucking LA; often at the expense of having a normal life with marriage and kids.

We are all astronomically more deserving of being read than YOU.

And all of us are going bankrupt.

I would suggest putting your screenplay in a drawer and waiting out the economy several more years like ALL OF US living in LA.

Or make your movie yourself where you are. There are many websites and books out there that can steer you towards how to raise the money and produce and distribute it yourself! But be warned...you will lose your life savings and possibly your marriage. Just like the rest of us.

And for gods' sake, STOP buying screenwriting books, going to bogus expos, pitch sessions, and entering screenplay contests. When there is that much information and "opportunity" out there to join the Gold Rush, it's because THERE'S NO GOLD LEFT.

Entrepreneurs got rich selling shovels to prospectors. THE METAPHOR IS APT.

And if you don't like my advice and think I made it all up to spite your dream and your vision board...Go pay an out of work screenwriter-turned guru script consultant a lot of money to blow smoke up your ass. You'll find hundreds desperate to do it because it's how they afford their apartment rent and late-model Hundai payment. Or just check the Writer's Guild stats and see for yourself that the average screenwriter makes less money annually than a manager at McDonald's.

If you love writing more than your current job and know in your heart it's your calling and it's easy to get paid for it...Might I suggest the flourishing career of journalism? I hear they're opening fancy newspapers every day and lobbing Pulitzers at anyone. The NY publishing industry too, if you have a great novel inside you. The best place to find a Full-time Writer to ask for career advice is at the unemployment office.

Good luck,

Elisabeth

P.S.

Oh, but it's different advice in one case: if you're downloading movies and books for free off the internet. In that case, great ideas and first drafts are all Hollywood is looking for! Sell your car and cash in your retirement and pay thousands for a script consultant. Immediately. And start buying lottery tickets.


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Thursday, October 01, 2009

Cut from LA INK...


And on the fourth anniversary of Mom's death no less. Wah-wah.

Here's the pic Corey took of me:

Wednesday, July 01, 2009

Lynchian nightmare

I had this whole weird dream last night that I'd made a movie that wasn't THE COMMUNE but had the same stars in it, but it was about everything else that is going on in my life right at this moment down to a script of a friend's I'm reading about a water park only I'd read the Vanity Fair article about Johnny Depp yesterday so it was a Disney water park and my nieces wanted Johnny's costume...

The overwhelming emotion of the dream was mortification that some scenes I thought had been cut were shown onscreen, and they were soft-focus and dragged on too long with bad camerawork and acting from the leads, and then there were sexual scenes of me that made no sense that were way too graphic, and everyone thought it was an amateur movie all about my ego. And it was the only showing we were ever going to have and I couldn't figure out how it was the wrong print. Then I went right into this other horrible graphic slasher nightmare about a sister who'd died but didn't die and came back into the family's life as an unrecognizable man to have sex with them all and then kill them, but the whole time I was thinking "This would make a great screenplay!" and when I woke up I was all sweaty trying to remember the dream and realized it was utter nonsense and not a story at all.

There you have it! Fevered dreams of a frazzled filmmaker...

Friday, May 08, 2009

Okee dokey smokeys!

No more QT hush-hush time...here's the scoop, sugars!

THE COMMUNE feature film will make its world premier at the prestigious DANCES WITH FILMS film festival. Opening night.

From our acceptance notification:

"It will screen in the very coveted position of Friday, June 5th at Midnight!"

...!


They like us! They really really like us!



You ready to party Rocky Horror-style? Better start napping now, fogies...then pop a Red Bull and head to the 'mune. It's going to be INSANE.


Info about DWF...on the record.

DANCES WITH FILMS
FILM FESTIVAL
Los Angeles, California - USA
June 5 to 11, 2009

The Hollywood Reporter raves that the DWF is "the defiant fest of Raw Talent."

"Here you will find more genuinely encouraging vital signs from the American independent movement than could be detected in all of Park City this last January."
- LA Weekly

Simply put, DANCES WITH FILMS (DWF) is one of the last, best film festivals dedicated to introducing unknown works to the film industry. Located in the heart of Hollywood, DWF provides a rare opportunity to fully engage critics, film professionals and audiences. And while other festivals depend on stars to attract audiences, DWF films are handpicked in strict accordance to quality, and quality alone.

This defiant code of independence has earned DWF solid respect and street credibility through its eleven years of existence. Consequently, an impressive array of distribution companies as well as film and television development departments cover DWF each year to see what's new and different, and who is truly going places in the indie world.

DWF offers Canon HD cameras and other prizes, including cash awards of up to $9,000 USD. Still, the 900 filmmakers who have taken part in the Festival since its inception insist that the best prize is to be a DWF alum. Film artists like Will Scheffer and Mark Olsen (HBO'S "Big Love") have premiered at DWF, and actors like Kathryn Morris ("Cold Case"), Kevin Rankin ("Friday Night Lights"), and director John Putch ("Ugly Betty", "Scrubs") have all started out with DWF films.

MISSION AND OBJECTIVE
No Politics. No Stars. No Sh*t.

The press and public love the Festival, as do the filmmakers who have attended and benefited from the energy and connections that result. DWF alums - and "Big Love" creators - Mark Olsen and Will Scheffer give seriously high praise: "DWF manages to keep its focus on heart and soul while still putting small films on the map." And writer/filmmakers Steve Coulter and Dee Wagner - part of Tyler Perry's wildly successful team - gratefully declare that "Not only was DancesWithFilms the hands-down coolest festival we went to, but simply put, it launched our film. It definitely upped our pedigree in the industry and opened many doors for us. We signed a deal to distribute our short, ETIQUETTE MAN, as a direct result of the screening at the Festival."


A HUGE thanks to everyone for your continued support...we couldn't have done it without you!!!!

See you June 5th on the bigscreen!!!!

Thursday, March 12, 2009

Post Fact Productions

Check out friend of the blog Rachel and Lauren's new Avant Hard play PARABOX, March 13th-29th. Break a leg, ladies!

Monday, March 09, 2009

Shauna's B-day

One of my best friends from junior high was back in town having a big b-day party at Pig n the Whistle and The Roosevelt Hotel this weekend. First time I've been to either place, which tells you how plugged in I am to the Hollywood scene. But we had a blast.

The Suite:

Shauna and her husband Craig. He threw her a great surprise party!

Shauna, Stacey, Me. He was pretty happy about this:

Sunday, February 15, 2009

If I had any more money I'd want...

This incredibly chic pin dot trench for $178.


This whole outfit by Halogen is sensational and a total steal.
Sweater jacket $68, Tank $28, Trousers $68.

And the tank has an empire waist AND bra-friendly straps. Love.

Sweet Pea empire top for $58, Green cardigan by One A for $39.


Adorable, classic outfit by Semantiks. Pencil skirt $68, top $48, jacket $128.


The Bellatrix one-shoulder silk chiffon top for $78.


Frye Melissa short boot, $247.


Kate Spade Lorna wedge sandal $295.

Saturday, January 31, 2009

That ol' black magic pubic hair

I'm finishing the collossus task of finishing THE COMMUNE's applications to twenty-five film festivals. (Think back to college applications with essays and photos and press kits and something annoyingly different required for EACH ONE with a $100 check and the ability to snuff out the dreams and financial futures of myself, 40 crew members and all our investors.)

And as I collate, staple, gather, fold, lick, stuff, I find my sister's labrador's fur EVERYWHERE. Stuck inside a DVD cover. Glued to the submission envelopes. Hidden inside a peechee.

I wonder...will my short black hair inclusions be seen as thoughtful dedication to my craft?


Saturday, October 06, 2007

Embarassing

Oh lord. Just had to send a notice to everyone that I'm a casting a 20 year old luvah. You know...for a love scene with MY character.

*!*

UPDATE: Whoa. Getting some unexpected responses to the ad I sent out into the webiverse.

Really unexpected. I'll put it here under comments for you to read. I was just being my normal jackhole self, and somehow it became a very effective personal ad.

Huh. Cool.