Honest Trailers - a healthy addiction. Here's the Screen Junkies' take on *plotholes in The Dark Night Rises.
*Blogger helpfully suggested "potholes" become "plot hoes"...and I agree, two hoes are a large part of Bruce Wayne's 99 problems. Smart Blogger!
MEANWHILE...
The gals of Happy Looks Good On You teach us how to make our very own fancy big Superhero Balls.
And she's got big balls, but we've got the biggest balls of them all...
What do you think? Are the Screen Junkies right, or do you diehard love TDKR? Are you going to make your very own Superhero Balls for Xmas?
Hollywood director/writer/producer. Rabble rouser and All American Uppity Woman. See my feature film THE COMMUNE at Netflix, Amazon, and iTunes.
Showing posts with label film. Show all posts
Showing posts with label film. Show all posts
Wednesday, December 05, 2012
Thursday, November 29, 2012
We need heroes! Please help us Crash the Superbowl!
My sister Brenda and I have made two entries for the million dollar Doritos contest. Out of five thousand entries, they're going to pick 5 to win cash - and they're looking for fan favorites so we need your views and feedback!
Please take 30 seconds each to watch our commercials on Facebook. You win "I'm extra Awesome!" points if you leave us a comment and rate our entry 3 stars or higher!!! No signups necessary; it's done through your current Facebook profile. Fast, easy, painless, but a HUGE help to us!
KEEPAWAY starring Jamison Reeves, Gregg Silver and Melanie Leanne Miller.
https://apps.facebook.com/crashthesuperbowl/?page=watch&video=4581
IDOLIZE starring Jamison Reeves and Gregg Silver.
https://apps.facebook.com/crashthesuperbowl/?page=watch&video=4125
Thanks so much for your help! We're super proud of our two entries and spectacular actors. Couldn't do all this without your support! xoxo
Please take 30 seconds each to watch our commercials on Facebook. You win "I'm extra Awesome!" points if you leave us a comment and rate our entry 3 stars or higher!!! No signups necessary; it's done through your current Facebook profile. Fast, easy, painless, but a HUGE help to us!
KEEPAWAY starring Jamison Reeves, Gregg Silver and Melanie Leanne Miller.
https://apps.facebook.com/crashthesuperbowl/?page=watch&video=4581
IDOLIZE starring Jamison Reeves and Gregg Silver.
https://apps.facebook.com/crashthesuperbowl/?page=watch&video=4125
Thanks so much for your help! We're super proud of our two entries and spectacular actors. Couldn't do all this without your support! xoxo
Labels:
1000 True Fans,
Brenda Fies,
Fies Sisters,
film
Thursday, March 15, 2012
Miracle Mile
I'm off to go have dinner with one of my best friends, a filmmaker hero of mine, and someone new I'm stoked to meet who made some of my favorite TV shows as a kid. And I'm late, as always. Sigh.
Afterwards we're going to one of my favorite theatres to celebrate the career of Steve DeJarnatt. Here's an old blog post on why I want you to rent Miracle Mile (and Cherry 2000...if the title appeals to you, you're the right audience for it):
Connections
Sometime soon I'll tell you one of the most humiliating things that's ever happened to me. It involves two of the people above, my feces, and a broken camera.
Afterwards we're going to one of my favorite theatres to celebrate the career of Steve DeJarnatt. Here's an old blog post on why I want you to rent Miracle Mile (and Cherry 2000...if the title appeals to you, you're the right audience for it):
Connections
Sometime soon I'll tell you one of the most humiliating things that's ever happened to me. It involves two of the people above, my feces, and a broken camera.
Labels:
Badass Friends,
film,
Halloween,
Hollywood
Wednesday, March 14, 2012
To blog or not to blog
I started this blog February 4th, 2005 when my awesome Mom started hers. She wrote poetically about her daily struggles recovering from cancer, and I wrote about blundering through caregiving, dating, film school, and my own recovery post head injury from a car accident with a drunk driver in 1995.
You'll notice there are years of daily posts here. Then an attempt at being less confessional. Then a reincarnation as a lifestyle blog that points out impersonal trinkets. Followed by a sprawling capitalist mess shilling for you and the bizarro world of horror-lovers to view my poor misunderstood feature film that very few people grok. Outside of 70s-cinema lovin' Hollywood intellectual bohemians, the actual Masters of Horror, and some really nice fundamental Christians (When I go niche, I go DEEP NICHE baby. Oh wait, you're NOT supposed to go that niche? You're supposed to find 1000 True Fans, not 100 True Fans? Well fuck me with a chainsaw!).
No no, I swear I'm not doing one of those narcissistic posts where I say I'm never going to blog again as a Tinkerbell clap trap to make you all dance like monkeys to bring me back to life (Though *if* I were a Narcissist (which Dr. Olcese says I can't be since I'm capable of asking that question), you all know I came by it naturally through half my designer genes, n'est-ce pas?).
See??? THAT is why I need to start blogging again. The above paragraphs? CRAPTASTIC writing. I was the most productive and gooder at ze ol' clackety ckack when I was putting in my WGA-prescribed Stream of Consciousness Hour a Day right here at my stupid lil blog. And that discipline naturally overflowed into writing the (unproduced) feature screenplay PISTOLERAS that I still think could save thousands of kids from sex slavery. So that cause and effect alone is cause enough to pause and think deep thoughts with Jack Handey on a daily basis.
But the negatives are like whoa. Violent soul-ripping out of your body junk. Some of it from innocuous stuff that exposes your friends' neuroses. Some of it so deserved that I'll be coming back reincarnated as a snail next life (the first year of true confessional blogging has a steep learning curve that will cost you family members and lifetime friends).
Dealing with feeling the petty envy of watching blogging friends get book deals and paying jobs and Hollywood careers and big blog audiences that financially sustained them. Getting to a Taoist point of not caring about not having that and just focusing on the joy of creating. Wondering then if I'm talking to myself, why exactly am I bothering? The tree is still falling. For whom am I recording the fall? Alien ancestors? And why did I have so many pictures of myself up on my own blog? Ewwww. How desperate am I? You guys are right. I hate me, too.
Getting a readership and having that first high of validation and communication with peers. The fall when they turned. Followed by driving most of the readers away when the snarky wannabe screenwriters kept attacking the underdog, exhausted caregivers. Zeus I can't abide bullies.
Then there's the really evil stuff. My close friends would snort at me typing "I try to focus on the positive", but unfortunately guess what? When you open up a vein and publish your fucking diary on the web, your close friends aren't the ones who come daily to lap up the blood. Nope. It's the two stalkers with autoerotomania escalating towards violence. That cunt hiding behind the mask of feminism who actually has Narcissistic Personality Disorder and IS going to die alone and broke.
Meeting heroes in the film industry as colleagues and learning they really think women are only good for putting their dicks in. Not finding a place as a writer in the boys club of the comic world. Losing boyfriends by not writing or writing about them.
Or the biggest kick in the gut: discovering the pervasive Female on Female Violence that is the real reason women don't have equality in Hollywood, and by extension the world. My close friends REALLY want me to make a documentary about my interesting thoughts about mean girls and the Cavewoman inside us all and how we're the problem not the solution. To which I say, fuck you, YOU go make a documentary. I want to get PAID to do the Wild Thing. Grumble. I've got at least $250,000 I've invested in this hobby over the past 25 years. It would be nice to get ONE PAYCHECK. Just one. So my dead grandparents can stop thinking I'm an indulgent asshat.
Have I told you about how I stopped looking at the search words for how strangers found my blog because it made me want to throw up my spirit? Or how friends of mine have had their photos downloaded, then uploaded to the internet with cum on them? Or how my attempt to raise money for my lead actresses' prosthetic hand after a horrible accident turned into thousands of perverts coming HERE to jack off, then stealing her photos and posting them to a porn fetish website? I tried to buy her a hand and I broke her heart.
Like, what can I ever do to make up for any of that? Or forget it? And this is the nonpersonal stuff that's been going on in my life, not even getting into the "how'd I get so old and fat and yeah, I'm really really old and why am I still attracted to twenty-five year olds what's wrong with me" bullshit. No, this is the stuff I brought upon myself by trying to make a difference.
So yeah, I've been in a man-cave minus the man. There's definitely a feeling of "If I never TAKE a step, then I have a small carbon footprint...right??? It's not my childhood ambition of Avengers Assembling to save the world, but it also means I can't accidentally be on the VILLAINS' side, right??? I'm not fucking ULTRON'S pawn, at least. Right, universe? Hello? Universe, are you there...?
I didn't know what to do. So I threw down the gauntlet last week. I yelled at my mom. I'm not proud. The natural course of losing your way spiritually means I haven't been feeling her or talking to her. Ruminating on all the ways I could have been a better daughter. So last Friday I gave her the ol' "HEY. I know you're there. Why aren't you DOING anything? And what the fuck am I supposed to be doing, because I'm so far below the poverty line hitting it is my vision board GOAL for the year. And I don't know what the hell I'M supposed to be doing, and I think the universe is screaming give up and go live in the desert away from humans and stream Netflix movies all day. (Which is ALSO now evil and corporate; What The FUCK, Netflix??? Where's your indie street cred NOW, after you've singlehandedly brought down the film industry???).
So Barbara...Bitch TELL ME SOMETHING!" And she did. I got a Big Fishie. A big juicy undeniable one that involved my sister, my gradeschool best friend Jen, and some closeted activist Deep Throat old school Hollywood insiders. Barbara laid this Fishie in deep. There's personal nods going back twenty-seven years ago with Jen, twenty years ago with Brenda, and twelve years ago with Mom. A trio of ladies I couldn't love more, all of whom share a deep passion for the underdog. Each one of whom I shared memorable affinity moments with while watching the amazing film work by one person. A Hollywood figurehead who is the Fishie and may or may not have even been the fishmonger with the help of his awesome fishwife. Doesn't actually matter if I ever know how it went down or who delivered the fishie. I know there's someone out there trying to do good in this fucked up world who thinks I'm doing some good work and found me and my family because of this blog.
That is good enough for me. I got the message. "BLOG, BITCH." As you wish, mom.
Oh mom? I got your other message, too. The one that meant "Don't accept yesterday's high bid even though it could buy you groceries. You're keeping your last piece of Avengers art."
You'll notice there are years of daily posts here. Then an attempt at being less confessional. Then a reincarnation as a lifestyle blog that points out impersonal trinkets. Followed by a sprawling capitalist mess shilling for you and the bizarro world of horror-lovers to view my poor misunderstood feature film that very few people grok. Outside of 70s-cinema lovin' Hollywood intellectual bohemians, the actual Masters of Horror, and some really nice fundamental Christians (When I go niche, I go DEEP NICHE baby. Oh wait, you're NOT supposed to go that niche? You're supposed to find 1000 True Fans, not 100 True Fans? Well fuck me with a chainsaw!).
No no, I swear I'm not doing one of those narcissistic posts where I say I'm never going to blog again as a Tinkerbell clap trap to make you all dance like monkeys to bring me back to life (Though *if* I were a Narcissist (which Dr. Olcese says I can't be since I'm capable of asking that question), you all know I came by it naturally through half my designer genes, n'est-ce pas?).
See??? THAT is why I need to start blogging again. The above paragraphs? CRAPTASTIC writing. I was the most productive and gooder at ze ol' clackety ckack when I was putting in my WGA-prescribed Stream of Consciousness Hour a Day right here at my stupid lil blog. And that discipline naturally overflowed into writing the (unproduced) feature screenplay PISTOLERAS that I still think could save thousands of kids from sex slavery. So that cause and effect alone is cause enough to pause and think deep thoughts with Jack Handey on a daily basis.
But the negatives are like whoa. Violent soul-ripping out of your body junk. Some of it from innocuous stuff that exposes your friends' neuroses. Some of it so deserved that I'll be coming back reincarnated as a snail next life (the first year of true confessional blogging has a steep learning curve that will cost you family members and lifetime friends).
Dealing with feeling the petty envy of watching blogging friends get book deals and paying jobs and Hollywood careers and big blog audiences that financially sustained them. Getting to a Taoist point of not caring about not having that and just focusing on the joy of creating. Wondering then if I'm talking to myself, why exactly am I bothering? The tree is still falling. For whom am I recording the fall? Alien ancestors? And why did I have so many pictures of myself up on my own blog? Ewwww. How desperate am I? You guys are right. I hate me, too.
Getting a readership and having that first high of validation and communication with peers. The fall when they turned. Followed by driving most of the readers away when the snarky wannabe screenwriters kept attacking the underdog, exhausted caregivers. Zeus I can't abide bullies.
Then there's the really evil stuff. My close friends would snort at me typing "I try to focus on the positive", but unfortunately guess what? When you open up a vein and publish your fucking diary on the web, your close friends aren't the ones who come daily to lap up the blood. Nope. It's the two stalkers with autoerotomania escalating towards violence. That cunt hiding behind the mask of feminism who actually has Narcissistic Personality Disorder and IS going to die alone and broke.
Meeting heroes in the film industry as colleagues and learning they really think women are only good for putting their dicks in. Not finding a place as a writer in the boys club of the comic world. Losing boyfriends by not writing or writing about them.
Or the biggest kick in the gut: discovering the pervasive Female on Female Violence that is the real reason women don't have equality in Hollywood, and by extension the world. My close friends REALLY want me to make a documentary about my interesting thoughts about mean girls and the Cavewoman inside us all and how we're the problem not the solution. To which I say, fuck you, YOU go make a documentary. I want to get PAID to do the Wild Thing. Grumble. I've got at least $250,000 I've invested in this hobby over the past 25 years. It would be nice to get ONE PAYCHECK. Just one. So my dead grandparents can stop thinking I'm an indulgent asshat.
Have I told you about how I stopped looking at the search words for how strangers found my blog because it made me want to throw up my spirit? Or how friends of mine have had their photos downloaded, then uploaded to the internet with cum on them? Or how my attempt to raise money for my lead actresses' prosthetic hand after a horrible accident turned into thousands of perverts coming HERE to jack off, then stealing her photos and posting them to a porn fetish website? I tried to buy her a hand and I broke her heart.
Like, what can I ever do to make up for any of that? Or forget it? And this is the nonpersonal stuff that's been going on in my life, not even getting into the "how'd I get so old and fat and yeah, I'm really really old and why am I still attracted to twenty-five year olds what's wrong with me" bullshit. No, this is the stuff I brought upon myself by trying to make a difference.
So yeah, I've been in a man-cave minus the man. There's definitely a feeling of "If I never TAKE a step, then I have a small carbon footprint...right??? It's not my childhood ambition of Avengers Assembling to save the world, but it also means I can't accidentally be on the VILLAINS' side, right??? I'm not fucking ULTRON'S pawn, at least. Right, universe? Hello? Universe, are you there...?
I didn't know what to do. So I threw down the gauntlet last week. I yelled at my mom. I'm not proud. The natural course of losing your way spiritually means I haven't been feeling her or talking to her. Ruminating on all the ways I could have been a better daughter. So last Friday I gave her the ol' "HEY. I know you're there. Why aren't you DOING anything? And what the fuck am I supposed to be doing, because I'm so far below the poverty line hitting it is my vision board GOAL for the year. And I don't know what the hell I'M supposed to be doing, and I think the universe is screaming give up and go live in the desert away from humans and stream Netflix movies all day. (Which is ALSO now evil and corporate; What The FUCK, Netflix??? Where's your indie street cred NOW, after you've singlehandedly brought down the film industry???).
So Barbara...Bitch TELL ME SOMETHING!" And she did. I got a Big Fishie. A big juicy undeniable one that involved my sister, my gradeschool best friend Jen, and some closeted activist Deep Throat old school Hollywood insiders. Barbara laid this Fishie in deep. There's personal nods going back twenty-seven years ago with Jen, twenty years ago with Brenda, and twelve years ago with Mom. A trio of ladies I couldn't love more, all of whom share a deep passion for the underdog. Each one of whom I shared memorable affinity moments with while watching the amazing film work by one person. A Hollywood figurehead who is the Fishie and may or may not have even been the fishmonger with the help of his awesome fishwife. Doesn't actually matter if I ever know how it went down or who delivered the fishie. I know there's someone out there trying to do good in this fucked up world who thinks I'm doing some good work and found me and my family because of this blog.
That is good enough for me. I got the message. "BLOG, BITCH." As you wish, mom.
Labels:
1000 True Fans,
activism,
Badass Friends,
brain,
Brenda Fies,
comics,
death,
empathy,
empowering,
feminist,
Fies Sisters,
film,
fishies,
friendly fire,
health,
Hollywood,
I'm a classy bitch,
memory,
Mom
Monday, September 12, 2011
Tivo Alert!
In case you didn't know, my sister Brenda Fies and I run a monthly Los Angeles film festival called BleedFest that proves that there are hundreds of women making cool, badass genre films that you don't want to miss!
BleedFest Film Festival Partnership alum Drew Daywalt's first episode of DEATH VALLEY airs tonight on MTV at 10:30pm (and an episode written by our friend David Weinstein is coming very soon.)
VIP guest and wonderful supporter Kevin Tenney's feature A FRIENDSHIP TO DIE FOR (retitled from the original TICK TOCK) airs on LMN (Lifetime Movie Network) Tuesday at 7pm and 11 pm, so no excuses! Check it out!
In six degrees of separation, it happens to star talented Megan Ward, the co-star of our March feature winner WAKING DREAMS by the wonderful Deepika Daggubati!
Wednesday, August 31, 2011
Scrutinize - a new Fies Sisters short covered by Chuck Norris Ate My Baby
With one of the most badass titles on the web, Matt at Chuck Norris Ate My Baby is a writer we have long admired for his terrific coverage and analysis of all things genre. Matt writes with eloquence and humor about the old and the new, the big and the indie, and is always entertaining. Check out this gem he unearthed: How VCRs Destroyed America's Youth
The Fies Sisters are honored to have our first YouTube release SCRUTINIZE covered by the man, the legend, the Chuck-tamer himself. Who wouldn't feel thrilled to hear this about their work:
"But what I think I dig the most about Scrutinize is the idea itself and how it's executed. It grabs your attention and keeps you wondering where it might go, only to have a genuinely smart and very fun reveal in the end."
Check out the awesome article here! Become a member of Matt's blog. The Fies Sisters highly recommend it because Chucktober is coming!
The Fies Sisters are honored to have our first YouTube release SCRUTINIZE covered by the man, the legend, the Chuck-tamer himself. Who wouldn't feel thrilled to hear this about their work:
"But what I think I dig the most about Scrutinize is the idea itself and how it's executed. It grabs your attention and keeps you wondering where it might go, only to have a genuinely smart and very fun reveal in the end."
Check out the awesome article here! Become a member of Matt's blog. The Fies Sisters highly recommend it because Chucktober is coming!
Wednesday, November 17, 2010
A great horror night in San Diego!
Monday, November 15, 2010
Night of the Hell Hamsters
Another brilliant short you can watch free online. Funny, but definitely horror from a gifted filmmaker.
You're a pretty good short filmmaker...
...when you can generate suspense using teddy bears as your thespians. Kudos to DAY OF THE TED. Yes, it's free online! And quite funny.
Friday, November 12, 2010
Watch Terry Gilliam's latest
Even the masters are moving to online shorts sponsored by corporations. The wave of the future.
I feel both pain at the corporate tag, and pleasure that another filmmaker is getting paid to work in these perilous times. Get used to it.
The Legend of Hallowdega
by Terry Gilliam
An Amp Energy Juice Film
I feel both pain at the corporate tag, and pleasure that another filmmaker is getting paid to work in these perilous times. Get used to it.
The Legend of Hallowdega
by Terry Gilliam
An Amp Energy Juice Film
Tuesday, November 09, 2010
Our last LA screening of THE COMMUNE!
*****We've NEVER DONE THIS!!!!
Buy a ticket to our last LA screening and get a FREEEEE autographed DVD of THE COMMUNE!
They're signed by me and wrapped in plastic...one less holiday gift for you to buy!
The Valley Film Festival
THIS FRIDAY, November 12th
7:30 pm
Buy a ticket to our last LA screening and get a FREEEEE autographed DVD of THE COMMUNE!
They're signed by me and wrapped in plastic...one less holiday gift for you to buy!
The Valley Film Festival
THIS FRIDAY, November 12th
7:30 pm
The Commune- Promo for The Valley Film Festival from The Commune Movie on Vimeo.
Sunday, November 07, 2010
Massively thrilled to be planning for Women in Horror Month!!!
Because February is right around the corner, it's time for female genre filmmakers and the men who love them to go from a whisper to a scream. WE EXIST!!!!
Labels:
film,
Hannah Neurotica,
horror,
lady directors,
Women in Horror Month
Saturday, October 23, 2010
October Herror Fest: Directress #11
It's October, which of course means there are no women who make horror films. So here's a feature by another director who doesn't exist:
Hope Perello
Hope began her brief career as a producer of 80s horror films CATACOMBS and PUPPETMASTER: THE LEGACY and as the assistant director on NIGHTMARE ON ELM STREET: PART 4. In 1991 she directed the straight to DVD sequel HOWLING 6, and infused it with gothic style and a feminist sensibility. Good luck finding any info on Hope on the web...and it's almost as tough to find her horror movie HOWLING 6, which by many accounts is the best sequel in the series.
Though she appears to have disappeared more thoroughly than any other invisible directress featured in Herror Fest, I can attest Hope did once exist: I auditioned for her in the 90s.
Wikipedia entry
Joe Bob Brigg's review of HOWLING 6
Rental Suggestions: Howling 6
Hope Perello
Hope began her brief career as a producer of 80s horror films CATACOMBS and PUPPETMASTER: THE LEGACY and as the assistant director on NIGHTMARE ON ELM STREET: PART 4. In 1991 she directed the straight to DVD sequel HOWLING 6, and infused it with gothic style and a feminist sensibility. Good luck finding any info on Hope on the web...and it's almost as tough to find her horror movie HOWLING 6, which by many accounts is the best sequel in the series.
Though she appears to have disappeared more thoroughly than any other invisible directress featured in Herror Fest, I can attest Hope did once exist: I auditioned for her in the 90s.
Wikipedia entry
Joe Bob Brigg's review of HOWLING 6
Rental Suggestions: Howling 6
Labels:
feminist,
film,
Herror Fest,
lady directors,
movies,
October
Monday, October 11, 2010
October Herror Fest: Directress #9
It's October, which of course means there are no women who make horror films. So here's a feature by another director who doesn't exist:
Maya Deren
No one has had a more profound effect on filmmaking and filmmakers with a smaller body of work than this Mother of the Avant Garde. Sometimes credited with revolutionizing Mise en Scene, at the least everyone agrees that the legendary rabble rousing intellectual/artist/actress/theorist/voodoo priestess is still worthy of dissection and study in film school for her crucial work on Symbolist film poetry, self expression and her invention of "Creative Geography".
Professional deconstructionist guru Robert McKee has the most right-on evaluation I've ever read of the meaning of MESHES OF THE AFTERNOON. In his famous GENRE MASTERPIECE class, he breaks it down shot by shot to prove his thesis that Maya Deren was expressing every woman's fear that a female artist who marries will los her identity and bring death to her creativity...Ironically, she shot the film with her first husband Alexander Hammid in 1943 and didn't officially finish it until a decade later with her third husband (a much younger composer named Teiji Ito who added the striking and haunting score).
MESHES is a gorgeously lyrical and primal fear-stoking short film that bats away the male gaze, and has influenced everyone from Jaques Torneau to David Lynch to, well...me. Watching MESHES OF THE AFTERNOON in film school at 18 was life-changing. When we went to shoot Jenny's nightmare sequences in THE COMMUNE I pulled stills from MESHES.
Further suggestions:
Read: ESSENTIAL DEREN: COLLECTED WRITINGS ON FILM
Maya Deren, Pioneer of the American Avant Garde Movement
Watch: AT LAND Shot in 1944, AL is another dream-like classic about the fight to keep one's personal identity. Unmissable for the crazy-ass goggles and big foot scene. Just watch it.
Rent: DIVINE HORSEMEN: THE LIVING GODS OF HAITI
Documentary IN THE MIRROR OF MAYA DEREN
And if you live in NYC you JUST missed the sixth month MOMA exhibit on Deren. Argh!
Maya Deren
No one has had a more profound effect on filmmaking and filmmakers with a smaller body of work than this Mother of the Avant Garde. Sometimes credited with revolutionizing Mise en Scene, at the least everyone agrees that the legendary rabble rousing intellectual/artist/actress/theorist/voodoo priestess is still worthy of dissection and study in film school for her crucial work on Symbolist film poetry, self expression and her invention of "Creative Geography".
Professional deconstructionist guru Robert McKee has the most right-on evaluation I've ever read of the meaning of MESHES OF THE AFTERNOON. In his famous GENRE MASTERPIECE class, he breaks it down shot by shot to prove his thesis that Maya Deren was expressing every woman's fear that a female artist who marries will los her identity and bring death to her creativity...Ironically, she shot the film with her first husband Alexander Hammid in 1943 and didn't officially finish it until a decade later with her third husband (a much younger composer named Teiji Ito who added the striking and haunting score).
MESHES is a gorgeously lyrical and primal fear-stoking short film that bats away the male gaze, and has influenced everyone from Jaques Torneau to David Lynch to, well...me. Watching MESHES OF THE AFTERNOON in film school at 18 was life-changing. When we went to shoot Jenny's nightmare sequences in THE COMMUNE I pulled stills from MESHES.
Further suggestions:
Read: ESSENTIAL DEREN: COLLECTED WRITINGS ON FILM
Maya Deren, Pioneer of the American Avant Garde Movement
Watch: AT LAND Shot in 1944, AL is another dream-like classic about the fight to keep one's personal identity. Unmissable for the crazy-ass goggles and big foot scene. Just watch it.
Rent: DIVINE HORSEMEN: THE LIVING GODS OF HAITI
Documentary IN THE MIRROR OF MAYA DEREN
And if you live in NYC you JUST missed the sixth month MOMA exhibit on Deren. Argh!
Labels:
empowering,
fangirltastic,
feminist,
film,
Herror Fest,
movies,
October
October Herror Fest: Directress #8
It's October, which of course means there are no women who make horror films. So here's a feature by another director who doesn't exist:
Marion Kerr
Already a working actress/producer/writer, Marion Kerr added feature film director to her resume this year with her debut film GOLDEN EARRINGS. The intimate thriller made its world premier at my alma mater DANCES WITH FILM FESTIVAL (don't they have good taste?) and played last weekend at my friend and sometimes producing partner Jed Hammel's brand new festival FILMSHIFT in Boston.
GOLDEN EARRINGS also played Big Bear Lake International Festival, and won Best Horror Feature at IndieFest!
Where it DIDN'T play was at Shriekfest, Screamfest, Fantasticfest, Toronto After Dark, and all the other genre festivals that continue to assert there aren't great horror movies by female writers/directors.
But their loss is our gain. You can watch GOLDEN EARRINGS right now on my distributor's site INDIEFLIX.com for $4.95. Or you can buy the DVD through their site for $14.99...it comes with lots of goodies!
And my good friend and indie film supporter Nic Baisley at FILM SNOBBERY has a great video interview with Marion here.
Marion Kerr
Already a working actress/producer/writer, Marion Kerr added feature film director to her resume this year with her debut film GOLDEN EARRINGS. The intimate thriller made its world premier at my alma mater DANCES WITH FILM FESTIVAL (don't they have good taste?) and played last weekend at my friend and sometimes producing partner Jed Hammel's brand new festival FILMSHIFT in Boston.
GOLDEN EARRINGS also played Big Bear Lake International Festival, and won Best Horror Feature at IndieFest!
Where it DIDN'T play was at Shriekfest, Screamfest, Fantasticfest, Toronto After Dark, and all the other genre festivals that continue to assert there aren't great horror movies by female writers/directors.
But their loss is our gain. You can watch GOLDEN EARRINGS right now on my distributor's site INDIEFLIX.com for $4.95. Or you can buy the DVD through their site for $14.99...it comes with lots of goodies!
And my good friend and indie film supporter Nic Baisley at FILM SNOBBERY has a great video interview with Marion here.
Labels:
empowering,
film,
friends,
Herror Fest,
horror,
movies,
October
October Herror Fest: Directress #7
It's October, which of course means there are no women who make horror films. So here's a feature by another director who doesn't exist:
Aya Tanimura
You supporters are really digging the directors who have work available to see online, so here is Aya's 2010 short U-2074. Shot for $1500 in four days, U-2074 is a creepy installment for our October Herror Fest month. The dialogue was all a requirement of the Philip;s Parallel Line contest, but look at those Canon 5D visuals and the wonderful tension Aya creates! Her photography background is evident.
Aya's resume includes directing a documentary feature for Bill and Melinda Gates and being a top 5 contender in a different contest (Peter Jackson's YOUR BIG BREAK; follow the link to see that short). I'm sure we'll be hearing more from Aya soon...and hopefully in our favorite genre.
Also of note is U-2074 female Director of Photography Polly Morgan. Hollywood hires even less woman cinematographers than it does directors (I believe the percentage is around 3%)...so check out her beautiful portfolio here.
A big shout out to first-time horror screenwriter Julia Camara, whom I met five years ago in UCLA screenwriting. Julia wrote and directed the award winning short comedy NEVER ODD OR EVEN.
She also wrote a sci-fi feature film AREA Q which stars Isaiah Washington. I discovered U-2074 yesterday at LADY FILMMAKERS film festival because Julia's SCREAM MACHINE was there (A short her husband Tim Aldridge directed from her script). A Tabloid Witch award-winning short, SCREAM MACHINE is just beginning its festival run and is not available online yet.
You can read Julia Camara's fictional story JAIL BIRD online at Freight Train Magazine.
Aya Tanimura
You supporters are really digging the directors who have work available to see online, so here is Aya's 2010 short U-2074. Shot for $1500 in four days, U-2074 is a creepy installment for our October Herror Fest month. The dialogue was all a requirement of the Philip;s Parallel Line contest, but look at those Canon 5D visuals and the wonderful tension Aya creates! Her photography background is evident.
Aya's resume includes directing a documentary feature for Bill and Melinda Gates and being a top 5 contender in a different contest (Peter Jackson's YOUR BIG BREAK; follow the link to see that short). I'm sure we'll be hearing more from Aya soon...and hopefully in our favorite genre.
Also of note is U-2074 female Director of Photography Polly Morgan. Hollywood hires even less woman cinematographers than it does directors (I believe the percentage is around 3%)...so check out her beautiful portfolio here.
A big shout out to first-time horror screenwriter Julia Camara, whom I met five years ago in UCLA screenwriting. Julia wrote and directed the award winning short comedy NEVER ODD OR EVEN.
She also wrote a sci-fi feature film AREA Q which stars Isaiah Washington. I discovered U-2074 yesterday at LADY FILMMAKERS film festival because Julia's SCREAM MACHINE was there (A short her husband Tim Aldridge directed from her script). A Tabloid Witch award-winning short, SCREAM MACHINE is just beginning its festival run and is not available online yet.
You can read Julia Camara's fictional story JAIL BIRD online at Freight Train Magazine.
Labels:
empowering,
film,
friends,
Herror Fest,
horror,
movies,
writing
Sunday, October 10, 2010
Great Articles over at Film School Rejects
10 Films You Didn't Know Were Directed By Women
Turned On, Tuned In Femme Filmmakers includes links to other articles including Salon.com on the stats of film schools graduating as many women as men nowadays, yet studios only employing them for 4% of their movies a year. There is also a great list of 124 movies directed by women.
And this wonderful comment on a catty Forbes piece evaluating actressess' ROI that brilliantly includes a close up of each lady's chest along with her deterimined economic worth. Actresses Worth Their Weight in Cash.
Kudos to journalists Bethany Perryman and Cole Abaius for the articles, and FILM SCHOOL REJECTS for publishing them.
Saturday, October 09, 2010
October Herror Fest: Directress #6
It's October, which of course means there are no women who make horror films. So here's a feature by another director who doesn't exist:
Elizabeth Schieffer
Schieffer has pulled off a coup that is all too rare for female directors of any genre...she has won a studio-sponsored short film contest. Universal Studios (who should know a thing or two about horror) has awarded her short JASPER its top honors for Halloween Horror Night. And the prize package also gets her short seen on the not overly friendly to female filmmakers SyFy.com and Chiller TV. Three birds with one ricocheting stone!
Actually, don't get too excited about ladies taking over Hollywood just yet...the Hollywood judges picked the top ten and then online voters picked Elizabeth as the deserving winner (Viva the democratization of filmmaking and filmmgoing!).
Unlike all the seasons of PROJECT GREENLIGHT and those other horrible industry contests that were milquetoast showcases for interchangeable frat boys, we get to enjoy Ms. Schieffer's challenging and inspiring short online right now...and we better get to cheer her on to at least a few Hollywood meetings. Perhaps if the suits actually watch Beth's smart, funny, stereotype-bending work they'll know not to judge a dame by her gender.
The Dallas Observer's coverage of the win.
The official press release from Universal.
And for your viewing enjoyment, below is the entire three minute award-winning short JASPER...directed, produced, and special fx-ed by Elizabeth Schieffer:
Elizabeth Schieffer
Schieffer has pulled off a coup that is all too rare for female directors of any genre...she has won a studio-sponsored short film contest. Universal Studios (who should know a thing or two about horror) has awarded her short JASPER its top honors for Halloween Horror Night. And the prize package also gets her short seen on the not overly friendly to female filmmakers SyFy.com and Chiller TV. Three birds with one ricocheting stone!
Actually, don't get too excited about ladies taking over Hollywood just yet...the Hollywood judges picked the top ten and then online voters picked Elizabeth as the deserving winner (Viva the democratization of filmmaking and filmmgoing!).
Unlike all the seasons of PROJECT GREENLIGHT and those other horrible industry contests that were milquetoast showcases for interchangeable frat boys, we get to enjoy Ms. Schieffer's challenging and inspiring short online right now...and we better get to cheer her on to at least a few Hollywood meetings. Perhaps if the suits actually watch Beth's smart, funny, stereotype-bending work they'll know not to judge a dame by her gender.
The Dallas Observer's coverage of the win.
The official press release from Universal.
And for your viewing enjoyment, below is the entire three minute award-winning short JASPER...directed, produced, and special fx-ed by Elizabeth Schieffer:
Labels:
activism,
awards,
empowering,
feminist,
film,
Halloween,
Herror Fest,
Hollywood,
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movies,
October,
partnership,
positivity,
society
October Herror Fest Directress #5
It's October, which of course means there are no women who make horror films. So here's a feature by another director who doesn't exist:
Barbara Stepansky
A student Emmy winner for her brilliant short thesis film THE TROJAN COW, Stepansky is a writer/director/producer with a film masters from both AFI and USC. She cut her teeth on Christopher Nolan's no budget first feature FOLLOWING, and has come to the horror world via her skill at building suspense scenes. Barbara's seven figure feature directorial debut HURT is a for hire project that drips with atmosphere and pathos, and makes her one of a handful of women currently hired to helm horror projects over the million dollar mark.
While waiting for funding for her next for hire feature HYSTERIA, Stepansky made the no budget ghost story FUGUE, an intimate interstices of drama/thriller/horror mores that was so personal it was shot in her own home. FUGUE is currently on the festival circuit; you can check for upcoming screenings here. And expect one of them to be soon at my very own BLEEDFEST in Los Angeles, where I'll also be showcasing her amazingly taut retro thriller ROAD RAGE (Full disclosure: I'm a producer on RR...I can't help it if I have mothereffing talented friends).
Here is a recent interview with Barbara conducted by stalwart indie supporters Rogue Magazine.
Heidi Martinuzzi's FanGirltastic site has a new review of Fugue.
Rental Suggestion: HURT
Barbara Stepansky
A student Emmy winner for her brilliant short thesis film THE TROJAN COW, Stepansky is a writer/director/producer with a film masters from both AFI and USC. She cut her teeth on Christopher Nolan's no budget first feature FOLLOWING, and has come to the horror world via her skill at building suspense scenes. Barbara's seven figure feature directorial debut HURT is a for hire project that drips with atmosphere and pathos, and makes her one of a handful of women currently hired to helm horror projects over the million dollar mark.
While waiting for funding for her next for hire feature HYSTERIA, Stepansky made the no budget ghost story FUGUE, an intimate interstices of drama/thriller/horror mores that was so personal it was shot in her own home. FUGUE is currently on the festival circuit; you can check for upcoming screenings here. And expect one of them to be soon at my very own BLEEDFEST in Los Angeles, where I'll also be showcasing her amazingly taut retro thriller ROAD RAGE (Full disclosure: I'm a producer on RR...I can't help it if I have mothereffing talented friends).
"I have a hard time categorizing women in horror vs women in the film industry because I don’t really see that women directors in general get the proper recognition. The numbers of theatrically released films made by women hasn’t really risen throughout the years, and there’s only a handful of female directors tackling action or horror movies on a larger scale. Even though women have started to run studios and huge productions, this didn’t necessarily translate into hiring more women directors. I find the numbers out there quite discouraging but that definitely won’t keep me from continuing making movies." -Barbara Stepansky
Here is a recent interview with Barbara conducted by stalwart indie supporters Rogue Magazine.
Heidi Martinuzzi's FanGirltastic site has a new review of Fugue.
Rental Suggestion: HURT
Labels:
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Wednesday, October 06, 2010
October Herror Fest: Directress #4
It's October, which of course means there are no women who make horror films. So here's a feature by another director who doesn't exist:
Stephanie Rothman
Considered the first lady of Exploitation Flicks of the 60s and 70s, Rothman was a writer/producer and director on classic B movie features like TERMINAL ISLAND, BEYOND ATLANTIS, THE VELVET VAMPIRE, and BLOOD BATH. A retrospective of her work in Vienna in 2005 credits her as “one of the most headstrong and interesting women of American cinema of the 1960s and 70s.”
Stephanie Rothman was the first female to be given a Directors Guild of America fellowship, and credits boss Roger Corman as the only mentor she ever had. She is also a feminist an academic, and a thoughtful public speaker.
Rental Suggestion: THE VELVET VAMPIRE
Stephanie Rothman
Considered the first lady of Exploitation Flicks of the 60s and 70s, Rothman was a writer/producer and director on classic B movie features like TERMINAL ISLAND, BEYOND ATLANTIS, THE VELVET VAMPIRE, and BLOOD BATH. A retrospective of her work in Vienna in 2005 credits her as “one of the most headstrong and interesting women of American cinema of the 1960s and 70s.”
Stephanie Rothman was the first female to be given a Directors Guild of America fellowship, and credits boss Roger Corman as the only mentor she ever had. She is also a feminist an academic, and a thoughtful public speaker.
"I was never happy making exploitation films. I did it because it was the only way I could work. With all the options that exist today, if I were beginning my career as a filmmaker, I would not choose to make exploitation films."Here is a fascinating Interview With Stepahanie conducted by legendary media theorist Henry Jenkins.
Rental Suggestion: THE VELVET VAMPIRE
Labels:
empowering,
feminist,
film,
Halloween,
Herror Fest,
Hollywood,
horror,
lady directors,
movies,
October,
positivity,
sexism
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